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While many consider this a cop-out as an actor, Norton had a much different experience on set with Brando.“I thought he was hampered by the genre,” Norton said.READ MORE: Edward Norton Discusses the Collaborative Process in Highlights from Locarno Film Festival Panel Here are five takeaways from his talk.Norton was not only at HIFF to receive kudos for his previous work, but was promoting an upcoming surfing documentary titled “Bunker 77” that he is executive producing.
Anyone watching movies for the last 20-plus years knows the work of Edward Norton: Whether it’s his Oscar-nominated turns in “American History X” and “Birdman,” his iconic turn in “Fight Club,” or fan favorites “The Illusionist” and “The 25th Hour,” Norton’s ubiquity has made him a fixture in American cinema.When asked about where this performance came from Norton joked, “there are more of these in the profession that you might think.” “There were actors that when I was coming up in New York theater, of an earlier generation, who were legends for their combination of brilliance but you hear stories of their incredible bad behavior,” Norton said.“[Philip Seymour] Hoffman and I used to say ‘Are we more square than they are?I loved watching the way he went about keeping it somewhat fresh for himself.” Brando’s method fascinated the younger actor.“There were reports that we didn’t even learn the lines, that he used an ear mic, but I thought that was fascinating,” Norton said. He would have this odd little pause that wasn’t quite natural.
“I don’t think I would have done that film if not for those two actors [Brando and De Niro] being in it.